The South Africa National Arts Festival had been in the back of my mind for a long time as something I might like to visit during my time off. The timing was convenient, held every year in July, when I knew classes would be out. And I thought I should take advantage of a chance to go to a festival during the off-season for tourism. Plus, art! Art of every flavor, all from the South African perspective.
The festival is held in Grahamstown, which is a relatively small college town (Rhodes University being the central institution) in the province of Eastern Cape. To get there I first needed to take a bus to Port Elizabeth, a larger city on the coast. I spent a day in Port Elizabeth (and again on my way back). Check out the google maps image of the hostel I stayed at and see if you can spot THE OCEAN. Nothing tells me I’m on vacation like long stretches of white sand and the sound of crashing waves. Living just a couple minutes walk from the beach I naturally spent a lot of time just wandering along the shore or plopping down on a bench with my book and the view. There was a pretty impressive walking/biking trail running alongside the beach for a couple miles, and on the sunny Sunday afternoon I was there it was full of families walking their dogs and riding bikes.
After a day of lazing about the beach I caught an early morning bus to Grahamstown. Back in Maseru I had bought tickets to a few shows online, including one concert that started at 1:00 Monday. Even though I arrived in town before 10:00 I was anxious about having enough time to walk to my hostel, drop my stuff, get info about the festival, find a place to pick up my tickets, and find the concert venue.
Luckily I found the hostel okay (even though I had to modify the route I’d jotted down) and the staff there was super helpful. They even gave me a free festival program, a thick magazine-like publication containing information about all the artists, exhibits, and performances and, most importantly for me, a map of the town marked with all festival-related locations. So I was quickly on my way to the central hub of the festival.
Walking through Grahamstown on a peaceful morning in weather that felt like early summer to me (compared to Lesotho), my first impression was that it could pass for a small college town in the US. Lots of shady residential streets, plenty of pretty churches and stately buildings with interesting architecture. A noticeable increase in cafes and bars as one drew closer to campus. I could have been walking through Grinnell if I ignored one glaring difference – the charming houses and well-tended gardens of Grinnell are not separated from the sidewalk by fences topped with coils barbed wire, security system warning signs, and hyper-vigilant dogs.
I don’t know if I’ll ever be able to reconcile the jarring visual juxtaposition of South Africa’s beautiful landscapes and the fortified neighborhoods that make up so many towns. It’s just so far removed from the leave-your-keys-in-the-car world I group in. Or even China, where the close mingling of humanity is an accepted inevitability. Not that I don’t understand where this wariness in South African comes from. I get that they’re still healing from a very turbulent history, and high crime rates are still a pressing issue. I just have a hard time imagining living that way long-term.
Anyway, in St. Rodrigue may be more neighborly (no fences required) but we also don’t have tree-lined sidewalks and traffic that yields to pedestrians. So I enjoyed these things as I made my way toward the ticket office. In the end I had plenty of time to get a good seat at that first concert, which was a band called Laurie Levine and the Folk Collective. They were a South African group playing songs that fell pretty firmly in the Appalachian-inspired modern bluegrass genre (liberal doses of accordion, fiddle, and melancholy). It was interesting to hear a South African band essentially doing American folk music. They mostly played original songs, but threw in some Johnny Cash and Springsteen covers too. It was a good show and a pleasant way to kick off my festival experience.
I stayed in Grahamstown for four days, and spent a lot of time running all over town catching shows and wandering into art exhibits. Sometimes I’d have unexpected success, like when I stumbled upon an exhibit examining the relationship between China and Africa. But I definitely also spent an afternoon hunting down a theater, getting very lost, finding the show only to discover tickets sold out, and returning with only blistered feet and empty water bottle to show for my efforts.
Nevertheless, I did see several interesting shows, one of which was a production of the David Mamet play Race. Obviously the idea of seeing a play about race (specifically US white/black relations) in South Africa was intriguing. (Although as I was sitting in the theater waiting for the show to start I overheard a conversation between a couple British folks behind me in which one of them said wearily, “It seems like every show we’ve seen is about race…”)
The production of the show was good, as were the actors, but I was less impressed with the play itself. The crux of the conflict seemed less about race and more about the moral challenges of representing a client you don’t like and/or believe to be guilty. And I’ve seen more compelling, nuanced treatment of that concept on episodes of The Good Wife. There was also a confusing plot line that seemed to tackle affirmative action, which I’ve always had a hard time seeing as controversial. Basically, I didn’t find the play that edgy or challenging, but what was interesting was listening to the audience’s reactions. Most of the people I met/heard at the festival were South Africa, so I assumed that to be true of the play’s audience too. Based on the loud laughs at jokes and heavy silences at tense moments it seemed they were pretty engaged with the performance. There was one joke about illegal Mexican immigrants that got a big laugh, which surprised me. Not because of the joke itself (which was pretty tepid, neither offensive nor very funny) but because the context was so embedded in American attitudes toward Mexican immigrants I was surprised it translated culturally.
My favorite show was a concert of “indigenous” (the program’s word, not mine) African music. The name of the show was Orifins: Ekugaleni, and was made up of 7-8 musicians who started by playing very simple instruments in a traditional manner. (I assume – I’m basing this off their program notes. Generally speaking I’m pretty ignorant on history of African music.) Gradually their songs began acquiring more modern instruments and rhythms. So they started with minimal percussion and singing, then added musical bows and horns. Buy which I mean actual kudu horns (or a similar animal – my horn identification skills are also not very polished) that they blew into to create a cool, horn-of-Gondor type sound. And eventually they worked their way up to marimbas and djembes.
What made their performance really impressive (besides just solid musicianship) was the fact that they performed for about an hour with barely any pause between songs, and seemed to get more energetic as they went. They all seemed like they were having a blast, which made it that much more enjoyable for us in the audience. If I were scouting I would book them on a US tour stat. I should also mention that the concert was held in a beautiful little chapel with great acoustics.
Overall I’m really glad I made it to the Arts Festival, but I also wish I could come back next year now that I’ve acquired all this experience. I think I would book shows a bit more aggressively – there weren’t as many visual art exhibits as I’d expected. But I did pack a lot into the few days I was there. I did have to return to Lesotho within a week though. Weirdly enough, my Lesotho residence permit means I can only get a 7-day visa at the border (as opposed to the 3-month visa usually available to American citizens). I could’ve applied for a longer visa, but I decided to skip the hassle, cross the border, then turn back around and take another trip. I’m staying at St. Rodrigue for a couple days to do some laundry (so very necessary) and plan my next trip. There’s far too many choices, but I’m pretty sure a beach will be part of the equation.
Stray thoughts:
- I should stress that any point on my trip when I had electricity and was not boiling water felt blissful and luxurious.
- 4th of July came and went and I didn’t really celebrate it. I even left the red shirt I meant to bring at home, so I couldn’t advertise my nationality. But that’s okay – I’ll just enjoy the picnics and parades twice as much next year.
- Speaking of outdoor eating, the festival concentrated all its food trucks/stalls in one area, which I thought was pretty silly. When I attend a festival I want overpriced refreshments near me at all times.
- There was a joke in the Race play about the DA that exactly one person laughed at, and maybe some were like me, busy composing mental lists of flaws in the play, but I’m guessing a lot just didn’t know it stood for District Attorney, or what a DA does. Which made me wonder about whether lawyer/cop procedurals have much of a market outside the US. Are there enough assumptions about knowledge of the legal system to create a (boring) cultural barrier?
- For a couple days I shared my dorm room with three Mexican girls, and one morning they asked if I would use the internet on my phone to google the results of the Mexican presidential election. I, of course, was completely oblivious such an election had taken place, and was happy to oblige while they filled me in on the candidates. When I announced the results they all groaned – their favorite, Josefina Vázquez Mota, came in third. The winner, according to my roomies, is high on appearances and low on substance. My existing knowledge of Mexican politics is embarrassingly limited, so I expressed sympathetic outrage on behalf of my roomies. I’d be interested to know how the election was covered by the media in the US.